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• Writing
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  • Rumpelstiltskin
    • Rumpelstiltskin — breakdown
    • Rumpelstiltskin — Line Guide
    • Rumpelstiltskin — Lyrics
  • One girl, one dream!
    • One girl, one dream! — Scenes and Songs
  • King Arthur and the Challenge
    • King Arthur and the Challenge — breakdown
    • King Arthur and the Challenge — Line Guide
    • King Arthur and the Challenge: Lyrics
  • Lot 4096
• Books and Recordings
  • Dances with a Difference, Volume 1
  • Dances with a Difference, Volume 2
  • Dances with a Difference, Volume 3
  • Dances with a Difference, Volume 4
  • Dances with a Difference, Volume 5
  • Squares with a Difference, Volume 1
  • Squares with a Difference, Volume 2
  • New Dances for Old, Volume 1
  • Playford with a Difference, Volume 1
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• Callers
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• Dance Technique Notes
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  • Playford for Good Dancers!
  • Playford with Style
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  • How to enjoy Playford
    • List of Rules
  • Dances with a Step
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  • Contra Dance Technique
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  • Interesting Squares
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  • End-effects
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  • Final thoughts
• Essays
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  • Why am I a caller?
  • Live Music
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  • 200 years of American
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  • When You're Not the Caller
  • Giving and Receiving Feedback
  • Siding
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  • Double figure eight
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  • The Hey
  • What makes a dance difficult?
  • Folk Camps
  • Pills to Purge Mediocrity
  • Origins of English Country Dance
  • The English foundations of the French Cotillon
  • Maggot Pie
  • The Fallibroome Collection
  • The Ashover Book
  • The Wild Thyme Legacy
  • Zesty Playford
  • Cambridge Contra
  • Divided by a common language
  • A History of Country Dancing
  • What is a Dancing Master?
  • Folk Dance Clubs
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  • Composing Dances
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• Antony
• Programming / Development
• Build your own Website
  • Session 1
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  • Session 3
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  • Session 5
  • Session 6
  • Tools for checking your website
  • Other topics for further study
  • Advice for Mac users