in line-char 178-12 : Track 1 Bar 85 has 4 time units while the time signature has 6 in repeat
in line-char 178-34 : Track 1 Bar 86 has 4 time units while the time signature has 6 in repeat
in line-char 178-52 : Track 1 Bar 87 has 4 time units while the time signature has 6 in repeat
in line-char 178-73 : Track 1 Bar 88 has 4 time units while the time signature has 6 in repeat
in line-char 194-12 : Track 1 Bar 89 has 4 time units while the time signature has 6 in repeat
in line-char 194-34 : Track 1 Bar 90 has 4 time units while the time signature has 6 in repeat
in line-char 194-52 : Track 1 Bar 91 has 4 time units while the time signature has 6 in repeat
in line-char 194-73 : Track 1 Bar 92 has 4 time units while the time signature has 6 in repeat
in line-char 204-12 : Track 1 Bar 93 has 4 time units while the time signature has 6 in repeat
in line-char 204-30 : Track 1 Bar 94 has 4 time units while the time signature has 6 in repeat
in line-char 204-45 : Track 1 Bar 95 has 4 time units while the time signature has 6 in repeat
in line-char 204-64 : Track 1 Bar 96 has 4 time units while the time signature has 6 in repeat
in line-char 214-12 : Track 1 Bar 97 has 4 time units while the time signature has 6 in repeat
in line-char 214-27 : Track 1 Bar 98 has 4 time units while the time signature has 6 in repeat
in line-char 214-46 : Track 1 Bar 99 has 4 time units while the time signature has 6 in repeat
in line-char 214-54 : Track 1 Bar 100 has 4 time units while the time signature has 6 in repeat
in line-char 543-12 : Track 1 Bar 246 has 4 time units while the time signature has 6 in repeat
in line-char 543-34 : Track 1 Bar 247 has 4 time units while the time signature has 6 in repeat
in line-char 543-52 : Track 1 Bar 248 has 4 time units while the time signature has 6 in repeat
in line-char 543-73 : Track 1 Bar 249 has 4 time units while the time signature has 6 in repeat
in line-char 559-12 : Track 1 Bar 250 has 4 time units while the time signature has 6 in repeat
in line-char 559-34 : Track 1 Bar 251 has 4 time units while the time signature has 6 in repeat
in line-char 559-52 : Track 1 Bar 252 has 4 time units while the time signature has 6 in repeat
in line-char 559-73 : Track 1 Bar 253 has 4 time units while the time signature has 6 in repeat
in line-char 569-12 : Track 1 Bar 254 has 4 time units while the time signature has 6 in repeat
in line-char 569-30 : Track 1 Bar 255 has 4 time units while the time signature has 6 in repeat
in line-char 569-45 : Track 1 Bar 256 has 4 time units while the time signature has 6 in repeat
in line-char 569-64 : Track 1 Bar 257 has 4 time units while the time signature has 6 in repeat
in line-char 579-12 : Track 1 Bar 258 has 4 time units while the time signature has 6 in repeat
in line-char 579-27 : Track 1 Bar 259 has 4 time units while the time signature has 6 in repeat
in line-char 579-46 : Track 1 Bar 260 has 4 time units while the time signature has 6 in repeat
in line-char 579-61 : Track 1 Bar 261 has 4 time units while the time signature has 6 in repeat
in line-char 590-23 : Track 1 Bar 262 has 4 time units while the time signature has 6 in repeat
in line-char 590-38 : Track 1 Bar 263 has 4 time units while the time signature has 6 in repeat
in line-char 590-46 : Track 1 Bar 264 has 4 time units while the time signature has 6 in repeat
in line-char 590-66 : Track 1 Bar 265 has 4 time units while the time signature has 6 in repeat
in line-char 590-85 : Track 1 Bar 266 has 4 time units while the time signature has 6 in repeat
1 %%header -\"$T\" page $P
2 %%headerfont Times-Roman 22
3 %%MIDI ratio 3 1
4 %%staffnonote 0
5 X:1
6 T:The Challenge
7 L:1/8
8 M:6/8 % NoValidate
9 Q:3/8=110
10 %%scale 0.64
11 %%MIDI chordname 7sus 0 5 7 10
12 %%MIDI chordname dim 0 3 6 9
13 %%staves 1 2 {3 4}
14 K:G
15 V:1
16 |: Z8 :|
17 Z7 | z3 "^KNIGHTS" z2D |
18 w:We're
19 V:2
20 |: Z8 :| Z8 |
21 V:3 treble
22 %%MIDI program 56 Trumpet
23 |: [B,DG]3 [B,DG][B,DG][B,DG] |[B,G]3/D3/ G3/A3/ |[DGB]3 [DGB][DGB][DGB] |[DB]3/G3/ B3/c3/ |
24 [GBd]3 [Bd][Bd][Bd] |[Bd]3/[GB]3/ [Bd]3/[dg]3/ |[FAd]3 [FAd]2[FAd] |[FAd]3 z3 :|
25 V:4 bass octave=-2
26 %%MIDI gchordoff
27 %%MIDI program 57 Trombone
28 |: "G"[Gd]6- |[Gd]6 |[Gd]6- |[Gd]6 | "G"[Gg]6- |[Gg]6 | "D"[Dd]3 [Dd]2[Dd] |[Dd]3 z3 :|
29 V:3
30 [EAc]3 [EAc][EAc][EAc] |[EAc]3 [GB]3/[FA]3/ |[EGB]3 [EGB][EGB][EGB] |[EGB]6 |[DFA]3 [DFA][DFA][DFA] |[DGB]3 [DGB]3 |[EAc]3 [EAc]3 |[FAd]3 z3 |
31 V:4
32 "Am"[Aa]6- |[Aa]6 | "Em"[Ee]6- |[Ee]6 | "D"[Dd]6- | "G/D"[Dd]6 | "Am/D"[Dd]3 [Dd]3 | "D"[Dd]3 "D7"z3 |
33 V:1
34 %%MIDI program 58 Tuba
35 %%MIDI control 10 20 % speaker
36 BAG AGF | G2E D2D | E2F GFG | A3 z2D |
37 w:back from the hunt and the boar is dead. He packed a terr-i-ble punch. We
38 V:2
39 %%MIDI program 48 String Ensemble 1
40 %%MIDI control 10 100 % speaker
41 X4 |
42 V:3
43 %%MIDI program 45 Pizzicato Strings
44 [DGB]3 [DFA]3 | [EGc]3 [DFA]3 | [G,CE]3 [CEG]3 | [A,DF]3 [DEG]3/[DFA]3/ |
45 V:4
46 %%MIDI program 45 Pizzicato Strings
47 "G"[Gg]3 "D/F#"[Ff]3 | "C/E"[Ee]3 "D"[Dd]3 | "C"[Cc]3 "Am"[A,A]3 | "D"[Dd]6 |
48 V:1
49 BAG AGF | G2E D2D | E2E FEF | G3 z2G |
50 w:knew you'd be want-ing to see his head, and now we're read-y for lunch. And
51 V:2
52 X4 |
53 V:3
54 [DGB]3 [DFA]3 | [EGc]3 [DFA]3/[GB]3/ | [EGc]3 [CFA]3 | [B,DB]6 |
55 V:4
56 "G"[Gg]3 "D/F#"[Ff]3 | "C/E"[Ee]3 "D"[Dd]3 | "C"[Cc]3 "D7"[Dd]3 | "G"[Gg]3 [G,G]3 |
57 V:1
58 FDF FDF | FDF G2F | E^CE ECE | E^CE A2G |
59 w:aft-er you've fed us and cleared it a-way, there's trapp-ings and ban-ners for you to pre-pare. We're
60 V:2
61 X4 |
62 V:3
63 [FA]6 | [DFB]3 [DGB]3 | [EA^c]6 | [^CFA]3 [CGA]3 |
64 V:4
65 "D"[dd']3 "D/C#"[^c^c']3 | "Bm"[Bb]3 "G"[Gg]3 | "A"[Aa]3 "A/G"[Gg]3 | "F#m"[Ff]3 "A7/E"[Ee]3 |
66 V:1
67 FDF AFA | BGB d^cB | A2d ^cBc | d3 z3 |
68 w:hav-ing a sess-ion of joust-ing to-day, and we know you'd love to be there.
69 V:2
70 X4 |
71 V:3
72 [FAd]6 | [DGB]3 [DEB]3 | [DFA]3 [EG^c]3 | [FAd]3 "^rall." z2D |
73 V:4
74 "D"[Dd]3 [Ff]3 | "G"[Gg]3 "A7/G#"[^G^g]3 | "D/A"[Aa]3 "A7"[A,A]3 | "D"[Dd]3 "^rall." z3 |
75 V:1
76 [Q:3/8=104] Z2 | [Q:3/8=90]Z2 |
77 V:2
78 Z3 | z3 "^LADIES" zD2 |
79 w:But
80 V:3
81 [DB]AG [DA]GF |[B,G]3 z2E |[Ec]BA [GB][FA][EG] |[DA]3 zD2 |
82 V:4
83 "G"[Gd]3 "D/F#"[Fd]3 | "Em"[Ee]3 z3 | "Am"[Ae]3 "Em/G"[Ge]3 | "D/F#"[Fd]3 z3 |
84 V:1
85 L:1/4
86 M:4/4
87 Q:1/2=72
88 Z4 |
89 V:2
90 L:1/4
91 M:4/4
92 Q:1/2=72
93 B>A GD | EF GA | BG cB | A2 zA |
94 w:stay my lords be-fore you leave this cold and draught-y hall. Pre-
95 V:3
96 L:1/4
97 M:4/4
98 Q:1/2=72
99 [DGB]>[CA] [B,G][G,B,D] | [G,CE][DF] [DG][CEA] | [DGB][DG] [EGc][EGB] | [CDGA]2 [CDF]A |
100 V:4
101 L:1/4
102 M:4/4
103 Q:1/2=72
104 "G"G>A Bd | "C"cz "G/B"B "Am"A | "G"GB "C"c"Em/C#"^c | "D7sus"d2 "D7"DD |
105 V:1
106 Z3 | z2 "^KNIGHTS" zD |
107 w:A
108 V:2
109 d>c BG | A>B ce | d<B A>G | G2z2 |
110 w:pare your-selves that you may hear our chall-enge to you all.
111 V:3
112 [FBd]>c [EGB]G | [CEA]>B [Ec][G_B^ce] | [GBd]<[DGB] [CFA]>G | [B,DG]2zD |
113 V:4
114 "Bm"B2 "Em"E2 | "Am"A>G F"C#dim"[^C^c] | "G/D"[Dd]2 "D7"[Dd]2 | "G"G[Dd] [Dd][Dd] |
115 V:1
116 D<A z2 | z3D | D<A z2 | Z | Z3 | "^TENOR SOLO" z3D |
117 w:chall-enge? A chall-enge? We
118 V:2
119 z2 "^LADIES" zG/>F/ | G<B z2 | z2 zd | Bz z2 | Z4 |
120 w:Yes a chall-enge. You heard!
121 V:3
122 D<[DFA] z[DG]/>F/ | [B,DG]<[DGB] zD | D<[DFA] z[FAd] | [DGB]z z2 | [DFA][EG] [DF][DFA] | [EGB][FA] [EG][EGB] | [EAc][GB] [FA][EG] | [A,DF]z/A/ dD |
123 V:4
124 "D"[Dd][Dd] [Dd][Dd] | "G"[Gg][Gg] [Gg][Gg] | "D"[Dd][Dd] [Dd][Dd] | "G"[Gg][Gg] [Gg][Gg] | "D"[Dd][Dd] [Dd][Dd] | "Em/D"[Dd][Dd] [Dd][Dd] | "Am/D"[Dd][Dd] [Dd][Dd] | "D"[Dd]z z[Dd] |
125 V:1
126 d>c B<G | "^KNIGHTS" ed c "^BASS SOLO" E | D>C B,A, | G, "^ALL" B Gz |
127 w:like a chall-enge. Yes we do. But we pre-fer our lunch. That's true.
128 V:2
129 Z3 | z "^ALL" B Gz |
130 w:That's true.
131 V:3
132 [FBd]>c [EB]<G | [Gce][GBd] [EAc][A,CE] | [F,A,D]>C B,A, | G,[DGB] [B,DG]z |
133 V:4
134 "Bm"B2 "Em"[Ee]2 | "C"c "G/B"B "Am"Az | "D7"D>z z2 | "G"[GBd]zz2 |
135 V:1
136 Z3 | Z |
137 V:2
138 Z3 | z2 "^LADIES" z D |
139 w:We're
140 V:3
141 [DFA][EG] [DF][DFA] | [EGB][FA] [EG][EGB] | [EAc][GB] [FA][EG] | [A,DF] z/A/ dD |
142 V:4
143 "D"[Dd][Dd] [Dd][Dd] | "Em/D"[Dd][Dd] [Dd][Dd] | "Am/D"[Dd][Dd] [Dd][Dd] | "D"[Dd]z3 |
144 V:1
145 Q:1/2=128
146 Z8 |
147 V:2
148 [Q:1/2=128] "^faster" d3d | c2 A2 | G2 E2 | D2 EF | G2 D2 | G2 AB | c2A2 | B2z2 |
149 w:tired of joust-ing ev-ery day, And there's some-thing new we would like to see.
150 V:3
151 "^faster" [GBd]3d | [EAc]2 [CEA]2 | [B,DG]2 [G,CE]2 | [F,A,D]2 EF | [B,DG]2 [B,D]2 | [B,DG]2 [FA][GB] | [EAc]2 [DFA]2 |[DGB]2z2 |
152 V:4
153 "^faster" "G"GB dg | "Am"a4 | "G/B"B2 "C"c2 | "D"d2 z2 | "G"GB dg | "G/F#"f4 | "Am"A2 "D"d2 | "G"G2 z2 |
154 V:1
155 Z9 |
156 V:2
157 A2 A2 | B2 B2 | ^c3B | A2 z2 | d3D | D2E2 | F3E | D2 z2 | Z |
158 w:Some-thing that will make us say "That's the kind of man for me."
159 V:3
160 [^CFA]2 [CFA]2 | [D=FB]2 [DFB]2 | [EA^c]3B | [^CFA]2 z2 | [FBd]3D | [G,_B,D]2 [G,B,E]2 | [A,DF]3[G,^CE] | [F,A,D]2 [F,A,D]2 | [F,A,D]2 [F,A,D]2 |
161 V:4
162 "F#m"[Ff]2 [Ff]2 | "Dm6/F"[=F=f]2 [Ff]2 | "A/E"[Ee]2 [Ee]2 | "F#m"[Ff]2 [Ff]2 | "Bm"[B,B]2 [B,B]2 | "Gm/Bb"[_B,_B]2 [B,B]2 | "D/A"[A,A]2 "A7"[A,A]2 | "D"[Dd]2 [Dd]2 | "D"[Dd]2 [Dd]2 |
163 V:1
164 "^KNIGHTS" A2 AA | B2 B2 | ^cc Bc | d2 z2 | Z2 | [Q:1/2=118] Z |[Q:1/2=110] z3D |
165 w:Joust-ing was al-ways good e-nough be-fore. We're
166 V:2
167 Z4 | z2 "^LADIES" D2 | A2 EF | D2 z2 | z2 D2 |
168 w:But not a-ny more! We're
169 V:3
170 [DFA]2 z2 | [D=F^GB]2 z2 | [EG^c]2 z2 | [=F^GBd]2 z2 | [DFA]2 z2 | [^CEA]2 z2 | "^rall."[F,A,D]2 [Q:1/2=116] z z | Z |
171 V:4
172 "D"d4 | "Bdim"B4 | "A7"[Aa]4 | "G#dim"[^G^g]4 | "D/A"[Aa]4 | "A7"[A,A]4 | "D"[Dd]2 [Dd]2 | "D7"[Dd]2 [Dd]2 |
173 V:1
174 L:1/8
175 M:6/8
176 Q:1/4=110
177 %%tuplets 1 0 0
178 (3BAG (3AGF | (3:2:2G2E (3:2:2D2D | (3:2:2E2F (3GFG | (3:2:1A3 (3:2:2z2D |
179 w:back from the hunt and the boar is dead. He packed a terr-i-ble punch. We
180 V:2
181 M:2/4
182 L:1/8
183 d2>d2 | c2 A2 | G2 E2 | D2 EF |
184 w:tired of joust-ing ev-ery day, And there's
185 V:3
186 M:2/4
187 L:1/8
188 [DGB]2 [DFA]2 | [EGc]2 [DFA]2 | [G,CE]2 [CEG]2 | [A,DF]2 [DEG][DFA] |
189 V:4
190 M:2/4
191 L:1/8
192 "G"[Gg]2 "D/F#"[Ff]2 | "C/E"[Ee]2 "D"[Dd]2 | "C"[Cc]2 "Am"[A,A]2 | "D"[Dd]4 |
193 V:1
194 (3BAG (3AGF | (3:2:2G2E (3:2:2D2D | (3:2:2E2E (3FEF | (3:2:1G3 (3:2:2z2G |
195 w:knew you'd be want-ing to see his head, and now we're read-y for lunch. And
196 V:2
197 G2 D2 | G2 AB | c2 A2 | B2 z2 |
198 w:some-thing new we would like to see.
199 V:3
200 [DGB]2 [DFA]2 | [EGc]2 [DFA][GB] | [EGc]2 [CFA]2 | [B,DB]4 |
201 V:4
202 "G"[Gg]2 "D/F#"[Ff]2 | "C/E"[Ee]2 "D"[Dd]2 | "C"[Cc]2 "D7"[Dd]2 | "G"[Gg]2 [G,G]2 |
203 V:1
204 (3FDF (3FDF | (3FDF (3:2:2G2F | (3E^CE (3ECE | (3E^CE (3:2:2A2G |
205 w:aft-er you've fed us and cleared it a-way, there's trapp-ings and ban-ners for you to pre-pare. We're
206 V:2
207 A2 A2 | B2 B2 | ^c3 B | A2 z2 |
208 w:Some-thing that will make us say:
209 V:3
210 [FA]4 | [DFB]2 [DGB]2 | [EA^c]4 | [^CFA]2 [CGA]2 |
211 V:4
212 "D"[dd']2 "D/C#"[^c^c']2 | "Bm"[Bb]2 "G"[Gg]2 | "A"[Aa]2 "A/G"[Gg]2 | "F#m"[Ff]2 "A7/E"[Ee]2 |
213 V:1
214 (3FDF (3AFA | (3BGB (3d^cB | (3:2:2A2d (3^cBc | d2 z2 |
215 w:hav-ing a sess-ion of joust-ing to-day, and we know you'd love to be there.
216 V:2
217 d3 D | D2 E2 | F3 E | D2 z2 |
218 w:That's the kind of man for me.
219 V:3
220 [FAd]4 | [DGB]2 [DEB]2 | [DFA]2 [EG^c]2 | [FAd]2 "^rall." zD |
221 V:4
222 "D"[Dd]2 [Ff]2 | "G"[Gg]2 "A7/G#"[^G^g]2 | "D/A"[Aa]2 "A7"[A,A]2 | "D"[Dd]2 "^rall." z2 |
223 V:1
224 %%tuplets 0 1 0
225 [Q:3/8=104] Z2 | [Q:3/8=90]Z2 |
226 V:2
227 %%MIDI program 73 Flute
228 L:1/8
229 M:6/8
230 Z3 | z3 "^GUINEVERE" zD2 |
231 w:My
232 V:3
233 L:1/8
234 M:6/8
235 [DB]AG [DA]GF |[B,G]3 z2E |[Ec]BA [GB][FA][EG] |[DA]3 zD2 |
236 V:4
237 L:1/8
238 M:6/8
239 "G"[Gd]3 "D/F#"[Fd]3 | "Em"[Ee]3 z3 | "Am"[Ae]3 "Em/G"[Ge]3 | "D/F#"[Fd]3 z3 |
240 V:1
241 L:1/4
242 M:4/4
243 Q:1/2=72
244 Z4 |
245 V:2
246 L:1/4
247 M:4/4
248 Q:1/2=72
249 B>A GD | EF GA | BG cB | A2 zA |
250 w:lords, we have no skill with words for what we wish to say. So
251 V:3
252 L:1/4
253 M:4/4
254 Q:1/2=72
255 [DGB]>[CA] [B,G][G,B,D] | [G,CE][DF] [DG][CEA] | [DGB][DG] [EGc][EGB] | [CDGA]2 [CDF]A |
256 V:4
257 L:1/4
258 M:4/4
259 Q:1/2=72
260 "G"G>A Bd | "C"cz "G/B"B "Am"A | "G"GB "C"c"Em/C#"^c | "D7sus"d2 "D7"DD |
261 V:1
262 Z3 |[Q:1/2=69] Z |[Q:1/2=66] Z |[Q:1/2=63] Z | [Q:1/2=60] Z |
263 V:2
264 d>c BG | A>B c/z/e | d "^MORGAN LE FAYE - spoken" [I: MIDI=program 68] z (3DDD | D2z2 | Z3 |
265 w:here is one to speak for us. Her name: Mor-gan le Faye.
266 V:3
267 [FBd]>c [EGB]G | [CEA]>B [Ec][G_B^ce] | [GBd]z z2 |
268 "^rall." [DFA][EG] [DF][DFA] | [EGB][FA] [EG][EGB] | [EAc][GB] [FA][EG] | [A,DF]2 z2 |
269 V:4
270 "Bm"B2 "Em"E2 | "Am"AG F"C#dim"[^C^c] | "G/D"[Dd]2 z2 |
271 "D"[Dd][Dd] [Dd][Dd] | "Em/D"[Dd][Dd] [Dd][Dd] | "Am/D"[Dd][Dd] [Dd][Dd] | "D"[Dd][Dd] [Dd][Dd] |
272 V:1
273 "^ARTHUR" G/G/-G/G/ A G/A/ | B/A/G/B/ A<D | c/B/A/c/ B/A/G/A/- |
274 w:Mor-gan - le Faye, you were ban-ished from my king-dom. Why have you app-eared at my door?
275 V:2
276 Z3 |
277 V:3
278 [B,EG]2 [C_EA]2 | [DGB]2 [DFA]2 | [EAc]2 [EGB]2 |
279 V:4
280 "Em"e2 "Cm/Eb"[_eg]2 | "G/D"d2 "D"D2 | "Am"[Aa]2 "Em"[Ee]2 |
281 V:1
282 A3/ z/ z2 | z2 G/E/ z | z "^(spoken)" _B/z/ A/D/z | "^(sung)" c/c/-c/c/ B/A/G/A/- |
283 w:- Know her? Half-sis-ter! Ban-ished - be-fore I met you.
284 V:2
285 z3/ "^GUINEVERE" [I: MIDI=program 73] D/ dc | [I: MIDI=program 68] B<G "^MORGAN LE FAYE" z (3z/G/B/ | A/D/z z2 | Z |
286 w:I see you know her. I'm his sis-ter.
287 V:3
288 [DFA]>z [FAd][FAc] | [EGB]2 [B,EG]2 | [DFA]z [DFA]2 | [EGc]2 [EGB]2 |
289 V:4
290 "D"[Dd]2 d"D#dim"^d | "Em"e2 "Em/C#"[^C^c]2 | "D"[Dd]z [Dd]2 | "C"[Cc]2 "Em"[Ee]2 |
291 V:1
292 A<z z2 | Z4 |
293 V:2
294 %%MIDI program 68 Oboe
295 "^MORGAN LE FAYE" z2 Bd | ^c>B A<B | F<D B,^C | D>^C DE | F2 Bd |
296 w:Oh how cruel, my lit-tle bro-ther, send-ing me so far a-way. Will you
297 V:3
298 [DFA]z [DFB][FBd] | [EG^c]>[GB] [FA]<[GB] | F<D B,[A,^C] | [B,D]>[A,^C] [^A,D][CE] | [B,DF]2 [DFB][FBd] |
299 V:4
300 "D"[Dd]2 "Bm"B/f/b/f/ | "Em"e/g/b/g/ e/g/b/g/ | "Bm"B/f/b/f/ B/f/A/f/ | "G"G/d/g/d/ "F#7"F/^c/f/c/ | "Bm"B,/F/B/f/ "Bm/G#"^g^G |
301 V:1
302 Z2 | [Q:1/2=66] Z3 |
303 V:2
304 ^c>B AB | F<D z>B, | "^faster" ^CD ED/C/ | DE FE/D/ | EF GF/E/ |
305 w:bear the shame for e-ver? But that's not why I am here to-day. Once I've had my say I'll be
306 V:3
307 [EG^c]>B [^CEA][CEB] | F<D z>B, | "^faster" [A,^C][B,D] [CE]z | [B,D][^CE] [DF]z | [^CE][DF] [EG]z |
308 V:4
309 "Em/G"=G/B/e/g/ "A"a[Ag] | "Bm"B,/F/B/f/ bz | "A7"[Ae]4 | "Bm"[Bf]4 | "A7/C#"[^ca]4 |
310 V:1
311 Z4 |
312 V:2
313 FG Az | BB/B/ dz/B/ | ^c<A z2 | "^LADIES" [I: MIDI=program 48] BB/B/ dz/B/ |
314 w:on my way. Do you acc-ept the chall-enge? Do you acc-ept the
315 V:3
316 [DF][EG] [FA]z | [EGB]2 [=FBd]2 | [EA^c]2 z2 | [EGB]2 [=FBd]2 |
317 V:4
318 "D"[da]2 "B7/D#"[^db]2 | "Em"[eb]2 "G#dim"[^G^g]2 | "A"[Aa]2 z2 | "Em"[eb]2 "G#dim"[^G^g]2 |
319 V:1
320 z3 "^ARTHUR" A | d^c BA | AG DE | "^KNIGHTS" F2 zA |
321 w:But what ex-act-ly do we have to do? Yes
322 V:2
323 ^c<A z2 | Z3 |
324 w:chall-enge?
325 V:3
326 [EA^c]2 zA | [FBd]^c [DFB]A | [DA]G DE | [DF]2 z[EA] |
327 V:4
328 "A"[Aa]2 z2 | "Bm"B2 b2 | "G"[gb]2 "Em"[egb]2 | "D"[da]2 ^c2 |
329 V:1
330 d^c BA | AG DE | F2 z2 | Z2 | "^ARTHUR" z3 A/>A/ |
331 w:what ex-act-ly do we have to do? It's a
332 V:2
333 Z2 | z3 "^MORGAN LE FAYE" [I: MIDI=program 68] B | A>^C CD | EE FG | FD z2 |
334 w:Oh no, you must acc-ept be-fore I tell you.
335 V:3
336 [FBd]^c [DFB]A | [DA]G DE | [DF]2 zB | [^CA]4 | [A,E]4 | [DF]2 zA |
337 V:4
338 "Bm"B2 b2 | "G"[gb]2 "Em"[egb]2 | "Bm"B2 BB | "A"[Ae]4 | "A7/C#"[^cga]4 | "D"[da]2 z"A"a |
339 V:1
340 dz d^c/B/ | ^c<A "^KNIGHTS" zA/>A/ | dz d^c/B/ | ^c<A z2 | Z |
341 w:trick! Why should I trust you? It's a trick! Why should we trust her?
342 V:2
343 Z4 | "^MORGAN LE FAYE" F/F/-F/F/ G>F |
344 w:Sure-ly - you trust your
345 V:3
346 [A,DF][EG]/[FA]/ [DGB]2 | [EA^c]>B [^CEA]2 | [B,DF][EG]/[FA]/ [D=FB]2 | [EG^c]2 z2 | [DF]/[DF]/-[DF]/[DF]/ [B,DG]>[B,DF] |
347 V:4
348 "D/F#"[Ff]2 "G"[Gg]2 | "A"[Aa]2 [Aa][Aa] | "Bm"[Bb]2 "G#dim"[^G^g]2 | "A"[Aa]2 [Aa][Aa] | "D"d/f/a/d/ "G/B"B/d/g/z/ |
349 V:1
350 Z4 |
351 V:2
352 ED/E/ F<D | "^LADIES" [I: MIDI=program 48] F/F/-F/F/ G>F | ED/E/ F/D/ z/ "^MORGAN LE FAYE" [I: MIDI=program 68] A/ | B^c dF |
353 w:wives and your daugh-ters. Sure-ly - you trust your wives and your daugh-ters. And these are tasks that
354 V:3
355 [^CE][B,D]/[CE]/ F<D | [DF]/[DF]/-[DF]/[DF]/ [EG]>[DF] | [^CE][B,D]/[CE]/ F/D/ z/A/ | [GB]^c [Ad]F |
356 V:4
357 "A"A/^c/e/A/ "D"d/f/a/d/ | "Bm"B/f/b/B/ "Em"e/g/b/z/ | "A"A/e/a/A/ "D"[dfa][dfa] | "G"[gd']2 "D/F#"[fd']2 |
358 V:1
359 Z5 | "^ARTHUR" z3 A |
360 w:All
361 V:2
362 GF DB | A2 z "^LADIES" [I: MIDI=program 48] A | B^c dF | GF DB | A2 z2 | Z |
363 w:they would glad-ly do. Yes these are tasks that we would glad-ly do.
364 V:3
365 GF D[GB] | [EA]2 zA | [GB]^c [Ad]F | GF D[GB] | [EA]2 (3[^CEA][CEA][CEA] | [^CEA]3 [CEA] |
366 V:4
367 "Em"[eb]2 "G/D"[dgb]2 | "A7/C#"[^ca]2 "A7/B"[Bb]"A7"[Aa] | "G"[gd']2 "D/F#"[fd']2 | "Em"[eb]2 "G/D"[dgb]2 | "A7/C#"[^ca]2 "A7/B"[Bb]2 | "A7"[Aa]2 "A7/G"[Gg]2 |
368 V:1
369 d/z/ ^c/>d/ ez/d/ | ^c/A/z z "^KNIGHTS" A | d/z/ ^c/>d/ ez/d/ | ^c/A/z z2 |
370 w:right, I acc-ept the chall-enge! That's right, we acc-ept the chall-enge!
371 V:2
372 Z4 |
373 V:3
374 [DAd]2 [GBe]2 | [^CEA]2 z[CEA] | [DAd]2 [GBe]2 | [^CEA]2 z2 |
375 V:4
376 "D/F#"[Ff]2 "G"[Gg]2 | "A"[Aa]2 [Aa][Gg] | "D/F#"[Ff]2 "G"[Gg]2 | "A"[Aa]> [I: MIDI=program 57] [Aa] [Aa][Aa] |
377 V:1
378 Z5 |
379 V:2
380 Z3 | z3 "^MORGAN LE FAYE" [I: MIDI=program 68] z/A/ | A/A/-A/A/ DE |
381 w:The chall-enge - is in three
382 V:3
383 %%MIDI program 56 Trumpet
384 !mp![dfa] (3[dfa]/[dfa]/[dfa]/ [dfa]/g/f/a/ | [Bdg] (3[Bdg]/[Bdg]/[Bdg]/ [Bdg]/f/e/g/ | [Adf] (3[Adf]/[Adf]/[Adf]/ [Adf]/e/d/f/ | [A^ce]2 z2 | [DFA]2 DE |
385 V:4
386 !mp!"D"[dd']4 | "G"[Gg]4 | "D/A"[Aa]4 | "A"[Aa]>[Aa] [Aa][Aa] | "D"[dfa]2 "Em"[egb]2 |
387 V:1
388 Z6 |
389 V:2
390 FE z2 | zE/F/ GA | BA GB | A2 z2 | z3 z/A/ | A>D GB | AD z2 |
391 w:sta-ges, With e-lim-i-na-tion at each stage. The first is flower arr-ang-ing.
392 V:3
393 [DF][^CE] [EA^c]/B/[EAc]/d/ | [GBe]4 | [DGB]4 | [Adf] (3[Adf]/[Adf]/[Adf]/ [Adf]/e/d/f/ | [A^ce]2 z2 | [DFA]2 [DG]2 | [DFA]3 z |
394 V:4
395 "D/A"[Aa]2 "A"[Aa]2 | "Em"[eb]4 | "G"g4 | "D/A"[Aa]2 [Aa][Aa] | "A"[Aa]2 [Aa][Aa] | "D"[da]2 "G"[gb]2 | "D"[da]3 z |
396 V:1
397 Z5 |
398 V:2
399 z3 z/B/ | B>E A^c | BE z2 | z3 z/^c/ | ^cc FF |
400 w:The next is ball-room danc-ing. The fin-al feat-ure
401 V:3
402 [FAd] (3[FAd]/[FAd]/[FAd]/ [FAd][FBd] | [^GBe]2 [^CEA]2 | [E^GB]3 z | [^GBe] (3[GBe]/[GBe]/[GBe]/ [GBe][G^ce] | [^A^cf]4 |
403 V:4
404 "D"[Dd]2 [Dd] "Bm"[B,B] | "E"[Ee]2 "A"a2 | "E"e3 z | "E"[Ee]2 [Ee][^C^c] | "F#"[Ff]4 |
405 V:1
406 Z4 |
407 V:2
408 GG AA | B/B/z ^c>d | dA z2 | Z |
409 w:of your trial is cook-ing, in the French style.
410 V:3
411 [B,E=G]2 [CA]2 | [DGB]z [EGB^c]2 | [FAd]2 z[EG^c] | [FAd]z z2 |
412 V:4
413 "Em"e2 "Cm/Eb"[_eg]2 | "G/D"dz "Em/B"b2 | "D/A"a2 z"A7"[Aa] | "D"[Dd] [I: MIDI=program 0] [Dd] [Dd][Dd] |
414 V:1
415 Z | "^ARTHUR AND KNIGHTS" Az z A/A/ | B/>B/B/z/ zB/B/ | =c/c/z z c/c/ | dz z2 |
416 w:No! It's ri-dic-u-lous! We won't do it! It's ab-surd!
417 V:2
418 Z3 | "^MORGAN" z3 B, |
419 w:But
420 V:3
421 %%MIDI program 0 Acoustic Grand Piano
422 !mf! [DFA][EG] [DF][DFA] | [EGB][FA] [EG][EGB] | [EAc][GB] [FA][EG] | [B,DF]z z [I: MIDI=program 45] B, |
423 V:4
424 !mf! "D"[Dd][Dd] [Dd][Dd] | "Em/D"[Dd][Dd] [Dd][Dd] | "Am/D"[Dd][Dd] [Dd][Cc] | "Bm"[B,B] [I: MIDI=program 45] [B,B] [B,B][B,B] |
425 V:1
426 Z4 |
427 V:2
428 ^CD ED/C/ | DE F/z/ E/D/ | EF GF/E/ | FG A/z/z |
429 w:you are knights and you gave your word, And we know that knights nev-er break their word.
430 V:3
431 [A,^C][B,D] [CE]z | [B,D][^CE] [DF]z | [^CE][DF] [EG]z |[DF][EG] [FA]z |
432 V:4
433 "A7"[Ae]4 | "Bm"[Bf]4 | "A7/C#"[^ca]4 | "D"[da]2 "B7/D#"[^db]2 |
434 V:1
435 Z4 | [Q:1/2=62] z2 [Q:1/2=59] z2 | [Q:1/2=57] z2 [Q:1/2=55] "^ARTHUR" z>D |
436 w:We
437 V:2
438 BB/B/ d z/B/ | ^c<A z2 | "^LADIES" [I: MIDI=program 48] BB/B/ dz/B/ | ^c<A z2 | Z | Z |
439 w:You must acc-ept the chall-enge! You must acc-ept the chall-enge!
440 V:3
441 [EGB]2 [=FBd]2 | [EA^c]2 z2 | [EGB]2 [=FBd]2 | [EA^c]2 z2 | "^rall." D (3D/D/D/ DD | D2 z2 |
442 V:4
443 "Em"[eb]2 "G#dim"[^G^g]2 | "A"[Aa]2 z2 | "Em"[eb]2 "G#dim"[^G^g]2 | "A"[Aa]2 z2 | "D"Z | "D7"DD DD |
444 V:1
445 L:1/8
446 M:6/8
447 Q:3/8=110
448 BAG AGF | G2E D2D | E2F GFG | A3 z2D |
449 w:ne-ver ex-pect-ed a thing like this, No not so much as a hunch. The
450 V:2
451 L:1/8
452 M:6/8
453 X4 |
454 V:3
455 L:1/8
456 M:6/8
457 [DGB]3 [DFA]3 | [EGc]3 [DFA]3 | [G,CE]3 [CEG]3 | [A,DF]3 [DEG]3/[DFA]3/ |
458 V:4
459 L:1/8
460 M:6/8
461 "G"[Gg]3 "D/F#"[Ff]3 | "C/E"[Ee]3 "D"[Dd]3 | "C"[Cc]3 "Am"[A,A]3 | "D"[Dd]6 |
462 V:1
463 BAG AGF | G2E D2D | E2E FEF | G3 z2G |
464 w:mess-age is clear and I great-ly fear That we won't get a-ny lunch. But
465 V:2
466 X4 |
467 V:3
468 [DGB]3 [DFA]3 | [EGc]3 [DFA]3/[GB]3/ | [EGc]3 [CFA]3 | [B,DB]6 |
469 V:4
470 "G"[Gg]3 "D/F#"[Ff]3 | "C/E"[Ee]3 "D"[Dd]3 | "C"[Cc]3 "D7"[Dd]3 | "G"[Gg]3 [G,G]3 |
471 V:1
472 FDF FDF | FDF G2F | E^CE ECE | E^CE A2G |
473 w:sure-ly if wom-en can do all these things It should-n't be much of a prob-lem for men. We
474 V:2
475 X4 |
476 V:3
477 [FA]6 | [DFB]3 [DGB]3 | [EA^c]6 | [^CFA]3 [CGA]3 |
478 V:4
479 "D"[dd']3 "D/C#"[^c^c']3 | "Bm"[Bb]3 "G"[Gg]3 | "A"[Aa]3 "A/G"[Gg]3 | "F#m"[Ff]3 "A7/E"[Ee]3 |
480 V:1
481 FDF AFA | BGB d^cB | A2d ^cBc | d3 z3 |
482 w:know we're the best at what-e-ver we do. It's been proved a-gain and a-gain.
483 V:2
484 X4 |
485 V:3
486 [FAd]6 | [DGB]3 [DEB]3 | [DFA]3 [EG^c]3 | [FAd]3 "^rall." z2D |
487 V:4
488 "D"[Dd]3 [Ff]3 | "G"[Gg]3 "A7/G#"[^G^g]3 | "D/A"[Aa]3 "A7"[A,A]3 | "D"[Dd]3 "^rall." z3 |
489 V:1
490 [Q:3/8=104] Z2 | [Q:3/8=90]Z2 |
491 V:2
492 Z3 | z3 "^GUINEVERE" [I: MIDI=program 73] zD2 |
493 w:My
494 V:3
495 [DB]AG [DA]GF |[B,G]3 z2E |[Ec]BA [GB][FA][EG] |[DA]3 zD2 |
496 V:4
497 "G"[Gd]3 "D/F#"[Fd]3 | "Em"[Ee]3 z3 | "Am"[Ae]3 "Em/G"[Ge]3 | "D/F#"[Fd]3 z3 |
498 V:1
499 L:1/4
500 M:4/4
501 Q:1/2=128
502 Z8 |
503 V:2
504 L:1/4
505 M:4/4
506 Q:1/2=128
507 d3d | c2 A2 | G2 E2 | D2 EF | G2 D2 | G2 AB | c2A2 | B2z2 |
508 w:lords, you have no need to fear If your hearts are pure and your wits are clear.
509 V:3
510 L:1/4
511 M:4/4
512 Q:1/2=128
513 [GBd]3d | [EAc]2 [CEA]2 | [B,DG]2 [G,CE]2 | [F,A,D]2 EF | [B,DG]2 [B,D]2 | [B,DG]2 [FA][GB] | [EAc]2 [DFA]2 |[DGB]2z2 |
514 V:4
515 L:1/4
516 M:4/4
517 Q:1/2=128
518 "G"GB dg | "Am"a4 | "G/B"B2 "C"c2 | "D"d2 z2 | "G"GB dg | "G/F#"f4 | "Am"A2 "D"d2 | "G"G2 z2 |
519 V:1
520 Z9 |
521 V:2
522 A2 A2 | B2 B2 | ^c3B | A2 z2 | d3D | D2 E2 | F2 E2 | D2 z2 | Z |
523 w:Soon the con-test will be-gin. Strive, and may the best man win.
524 V:3
525 [^CFA]2 [CFA]2 | [D=FB]2 [DFB]2 | [EA^c]3B | [^CFA]2 z2 | [FBd]3D | [G,_B,D]2 [G,B,E]2 | [A,DF]2 [G,^CE]2 | [F,A,D]2 [F,A,D]2 | [F,A,D]2 [F,A,D]2 |
526 V:4
527 "F#m"[Ff]2 [Ff]2 | "Dm6/F"[=F=f]2 [Ff]2 | "A/E"[Ee]2 [Ee]2 | "F#m"[Ff]2 [Ff]2 | "Bm"[B,B]2 [B,B]2 | "Gm/Bb"[_B,_B]2 [B,B]2 | "D/A"[A,A]2 "A7"[A,A]2 | "D"[Dd]2 [Dd]2 | "D"[Dd]2 [Dd]2 |
528 V:1
529 "^ARTHUR" A2 AA | B3 B | ^cc Bc | d2 z2 | Z2 | [Q:1/2=118] Z |[Q:1/2=110] "^KNIGHTS" z3D |
530 w:I must be best be-cause I am the king. We
531 V:2
532 Z2 | "^ MORGAN LE FAYE (blows a raspberry)" [I: MIDI=program 68] Z | Z | z2 D2 | A2 EF | D2 z2 | z2 "^LADIES" [I: MIDI=program 48] D2 |
533 w:That don't mean a thing! My
534 V:3
535 [DFA]2 z2 | [D=F^GB]2 z2 | [EG^c]2 z2 | [=F^GBd]2 z2 | [DFA]2 z2 | [^CEA]2 z2 | "^rall."[F,A,D]2 [Q:1/2=116] z z | Z |
536 V:4
537 "D"d4 | "Bdim"B4 | "A7"[Aa]4 | "G#dim"[^G^g]4 | "D/A"[Aa]4 | "A7"[A,A]4 | "D"[Dd]2 [Dd]2 | "D7"[Dd]2 [Dd]2 |
538 V:1
539 L:1/8
540 M:6/8
541 Q:1/4=110
542 %%tuplets 1 0 0
543 (3BAG (3AGF | (3:2:2G2E (3:2:2D2D | (3:2:2E2F (3GFG | (3:2:1A3 (3:2:2z2D |
544 w:ne-ver ex-pect-ed a thing like this, No not so much as a hunch. The
545 V:2
546 M:2/4
547 L:1/8
548 d2>d2 | c2 A2 | G2 E2 | D2 EF |
549 w:lords, you have no need to fear If your
550 V:3
551 M:2/4
552 L:1/8
553 [DGB]2 [DFA]2 | [EGc]2 [DFA]2 | [G,CE]2 [CEG]2 | [A,DF]2 [DEG][DFA] |
554 V:4
555 M:2/4
556 L:1/8
557 "G"[Gg]2 "D/F#"[Ff]2 | "C/E"[Ee]2 "D"[Dd]2 | "C"[Cc]2 "Am"[A,A]2 | "D"[Dd]4 |
558 V:1
559 (3BAG (3AGF | (3:2:2G2E (3:2:2D2D | (3:2:2E2E (3FEF | (3:2:1G3 (3:2:2z2G |
560 w:mess-age is clear and I great-ly fear That we won't get a-ny lunch. But
561 V:2
562 G2 D2 | G2 AB | c2 A2 | B2 z2 |
563 w:hearts are pure and your wits are clear.
564 V:3
565 [DGB]2 [DFA]2 | [EGc]2 [DFA][GB] | [EGc]2 [CFA]2 | [B,DB]4 |
566 V:4
567 "G"[Gg]2 "D/F#"[Ff]2 | "C/E"[Ee]2 "D"[Dd]2 | "C"[Cc]2 "D7"[Dd]2 | "G"[Gg]2 [G,G]2 |
568 V:1
569 (3FDF (3FDF | (3FDF (3:2:2G2F | (3E^CE (3ECE | (3E^CE (3:2:2A2G |
570 w:sure-ly if wom-en can do all these things It should-n't be much of a prob-lem for men. We
571 V:2
572 A2 A2 | B2 B2 | ^c3 B | A2 z2 |
573 w:Soon the con-test will be-gin.
574 V:3
575 [FA]4 | [DFB]2 [DGB]2 | [EA^c]4 | [^CFA]2 [CGA]2 |
576 V:4
577 "D"[dd']2 "D/C#"[^c^c']2 | "Bm"[Bb]2 "G"[Gg]2 | "A"[Aa]2 "A/G"[Gg]2 | "F#m"[Ff]2 "A7/E"[Ee]2 |
578 V:1
579 (3FDF (3AFA | (3BGB (3d^cB | (3:2:2A2d (3^cBc | d2 (3:2:2z2D |
580 w:know we're the best at what-e-ver we do. It's been proved a-gain and a-gain. We
581 V:2
582 d3 D | D2 E2 | F2 E2 | D2 z2 |
583 w:Strive, and may the best man win.
584 V:3
585 [FAd]4 | [DGB]2 [DEB]2 | [DFA]2 [EG^c]2 | [FAd]2 "^rall." z2 |
586 V:4
587 "D"[Dd]2 [Ff]2 | "G"[Gg]2 "A7/G#"[^G^g]2 | "D/A"[Aa]2 "A7"[A,A]2 | "D"[Dd]2 "^rall." z2 |
588 V:1
589 Q:1/4=100
590 "^ slower" (3FDF (3AFA | (3BGB (3d^cB | A2 zd | ^c2 [Q:1/4=90] Bc | d2 [Q:1/4=80] z2 | z4 |]
591 w:know we're the best at what-e-ver we do. It's been proved a-gain and a-gain.
592 V:2
593 "^ slower" d3 D | D2 E2 | F4 | [EA]4 | [Dd]2 z2 | Z |]
594 w:Strive, and may the best man win.
595 V:3
596 %%MIDI program 0 Acoustic Grand Piano
597 %%tuplets 0 1 0
598 [FAd]4 | [DGB]2 [DEB]2 | [DFA]2 [DFA]2 | [EG^c]2 [EGc]2 | [FAd]2 (3[FAd][FAd][FAd] |[FAd]2 z2 |]
599 V:4
600 %%MIDI program 0 Acoustic Grand Piano
601 "D"[Dd]2 [Ff]2 | "G"[Gg]2 "A7/G#"[^G^g]2 | "D/A"[Aa]2 [Aa]2 | "A7"[A,A]2 [A,A]2 | "D"[Dd]2 (3[A,A][A,A][A,A] | "D"[D,D]2 z2 |]
602
603
604
